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I’ve had the pleasure of working with Jabeen as well. Her matter of fact ability to say ‘your work will get done but I cannot come this early’ was empowering for Priya to see in a female film person.
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As a female filmmaker, Priya says Jabeen has a rare ability to set firm boundaries. Her college professor side helped putting peripheral demands like funders expectations, festival deadlines aside. When Priya was worried about making deadlines for top film festivals, it was Jabeen who helped her take a step back and urged her to focus on the film she wanted to make. Jabeen started editing Chuskit’s rushes and was quick to point out pick-ups that had to be done before the team left Ladakh. She admires her ability to ask questions that aren’t easy to answer but always make the film better because she forces one to rethink scenes at an early stage.
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Priya laughs and says that Jabeen has a college professor kind of attitude at times. Priya Ramasubban’s debut film Chuskit (2019) is one of Jabeen’s latest projects.
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He finds it healthy that there are no hierarchical hang ups between them. Navdeep, who’s in post for Laal Kaptaan, cites his arguments with Jabeen as an asset to his films. He also credits the 12-year-long relationship to their ability to disagree on things. She simultaneously edited documentaries like Jari Mari: Of Cloth and Other Stories (2001) and her first fiction feature was Agnivarsha (2002)
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Her earliest works as an independent editor were TV shows like Seher, Jee Sahab, and more. He feels that Jabeen’s experience in editing documentaries benefited Manorama and NH10’s observational style but it in no way limits her skills to any particular genre or scale. Since then, Navdeep and Jabeen have worked together on all of Navdeep’s films like NH10 and Laal Kaptaan. She got the film through cinematographer Arvind Kannabiran’s referral to director Navdeep Singh. The film ran for just three weeks in the theatres but got a huge following when it was released on DVD. In her own words, Manorama Six Feet Under (2007) is her most recognised film. She simultaneously edited documentaries like Jari Mari: Of Cloth and Other Stories (2001) and her first fiction feature was Agnivarsha (2002) which was directed by Arjun Sajnani and had Jackie Shroff and Raveena Tandon. Her first film industry job after film school was to be an assistant editor on Khamoshi (1996) under Bela Sehgal. She graduated from the editing department in 1995. Released in 2011, not many people have watched the film and 404 is still considered to be one of the most underrated films of Bollywood.Like many in-demand filmmakers and technicians in India, Jabeen also attended FTII, Pune. Later on, many unexpected incidents unfold which leaves the audience puzzled. He moves to room number 404 which was once occupied by another student who committed suicide. This psychological thriller revolves around a college student who decides to shift hostel rooms due to ragging.
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The movie casts Abhay Deol, Reema Sen, Gul Panag, Vinay Pathak and Nawazuddin Siddiqui in main characters. He accepts, unaware that he too is being deceived. The film’s story is comparatively very original in which we see an engineer, Satyaveer accepts money from Manorama, wife of an irrigation minister, to collect evidence against her husband for having an extra-marital affair. If you are looking to watch an authentic Hindi thriller then Manorama is the one you should go for. This film is a complete edge-of-the-seat thriller and you can watch the film on YouTube. Story gets serious when murders start to take place in the house as in the TV show. The story surrounds a family who has recently moved into a new house and starts experiencing paranormal activities around the house after watching a TV show. This movie is considered to be a cult horror thriller film in Hindi cinema which gave the audience something different and new to watch.